My shaped, biomorphic, sculptural wall works merge digital fabrication with hand processes and light-responsive materials to explore thresholds between natural and industrial systems, visibility and invisibility, material and immaterial.

Drawing inspiration from disparate realms—including marshland debris, primordial inland seas, deep ocean ecosystems—jellyfish, coral formations, and bioluminescent marine life—microscopic organisms, imagined future organisms, and celestial systems—my work considers natural phenomena across shifting magnitudes.

Confounding scale and seeking to make the immaterial visible, I construct dimensional works that function as spatial paintings, inviting reflection on unseen systems and forces beyond the known world.